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The Velvet Underground’s ‘Loaded’ set for nine LP vinyl reissue

The Velvet Underground‘s ‘Loaded’ has been announced.‘Loaded (Fully Re-loaded Edition)’ is a new vinyl box set that includes nearly all of the music from its expansive 2015 CD reissue but comes with nine LPs boasting stereo, mono and “full-length” mixes of the original album.Demos, studio outtakes and live recordings also feature in the box set and several tracks will be available on vinyl for the first time.The £250 box set is available to pre-order here exclusively via Dig! ahead of its March 24 release. It’s limited to just 1,970 copies.‘Loaded (Fully Re-loaded Edition)’comes in a deluxe, foil-wrapped slipcase containing the vinyl, a poster of the album’s cover art, and an illustrated booklet with liner notes by Lenny Kaye that appeared in ‘Loaded: Re-Loaded 45th Anniversary Edition’.In addition to the nine LPs, the set also comes with four 7″s that reproduce the official singles and B-sides released from ‘Loaded’.The songs ‘Rock & Roll’ and ‘Who Loves The Sun’ both come in the generic record sleeves used at the time by Cotillion, the band’s label.
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Norman Dolph, early Velvet Underground producer, has died
The Velvet Underground, has died at the age of 83.Dolph’s death was confirmed in a statement issued on Friday (May 20) by Planetary Group, who said that he had passed away on May 11 in New Haven, Connecticut after a battle with cancer (via Consequence).Dolph first encountered the Velvet Underground while working as a sales executive for Columbia Records in 1966, and he set about arranging the recording sessions which yielded the majority of the songs which featured on the band’s classic 1967 album ‘The Velvet Underground & Nico’.Those April 1966 sessions took place at Scepter Records Studios in Manhattan, New York City, which Dolph organised and co-financed.“I was not the producer in any sense that Quincy Jones is a producer,” Dolph later recalled about the sessions in an interview for Richie Unterberger’s White Light/White Heat: The Velvet Underground Day by Day. “The only thing I would say is because they were doing it on my money – and we had limited time resources fiscally, ’cause we were always bumping up against commitments that Scepter had in the studio – that I kept the thing on the rails.“And it’s also quite highly probable to say if they had made the same record, and I had not even been anywhere near it, it would have been ultimately played out the same way.
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