Plagiarism: Celebs Rumors

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‘The Batman’ plot wasn’t stolen as judge hits writer who sued with copyright infringement

didn’t steal the plot for its 2022 blockbuster “The Batman” from a writer who created a story about the Caped Crusader three decades earlier, a federal judge in Manhattan ruled on Wednesday.US District Judge Paul Engelmayer also said the writer Christopher Wozniak infringed copyrights belonging to DC Comics, which employed him as a freelance artist in 1990 when he wrote “The Ultimate Riddle,” later retitled “The Blind Man’s Hat.”“We respectfully disagree with the court’s decision and are considering our next steps,” Wozniak’s lawyer, Terry Parker, said in an email.Wozniak claimed he was “stunned” to learn that “The Batman” was a near copy of “The Ultimate Riddle,” with the Riddler terrorizing a Gotham City beset by crime and controlled by a corrupt banking cartel.But in a 45-page decision, Engelmayer said Wozniak intentionally and without consent lifted material from DC Comics’ works to create his story, which “liberally exploits –indeed, is rife with” Batman characters and plot elements.“The story’s use of the Batman character and the surrounding protected elements is an act of clear and blatant copyright infringement,” the judge wrote.Engelmayer also said key similarities between the works — serial killers who are loners bent on destroying society, villains who taunt pursuers with “clues and riddles,” and moments of “clarity or epiphany” that propel villains to crime — were too commonplace to support Wozniak’s copyright claim.For the latter, the judge in a footnote cited movies including “Star Wars: Episode III — Revenge of the Sith,” where Anakin Skywalker succumbs to the dark side of the Force and becomes Darth Vader.Engelmayer also rejected Wozniak’s “wholly speculative” claim for how Warner Bros might have gotten
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‘The Batman’ plot wasn’t stolen as judge hits writer who sued with copyright infringement
didn’t steal the plot for its 2022 blockbuster “The Batman” from a writer who created a story about the Caped Crusader three decades earlier, a federal judge in Manhattan ruled on Wednesday.US District Judge Paul Engelmayer also said the writer Christopher Wozniak infringed copyrights belonging to DC Comics, which employed him as a freelance artist in 1990 when he wrote “The Ultimate Riddle,” later retitled “The Blind Man’s Hat.”“We respectfully disagree with the court’s decision and are considering our next steps,” Wozniak’s lawyer, Terry Parker, said in an email.Wozniak claimed he was “stunned” to learn that “The Batman” was a near copy of “The Ultimate Riddle,” with the Riddler terrorizing a Gotham City beset by crime and controlled by a corrupt banking cartel.But in a 45-page decision, Engelmayer said Wozniak intentionally and without consent lifted material from DC Comics’ works to create his story, which “liberally exploits –indeed, is rife with” Batman characters and plot elements.“The story’s use of the Batman character and the surrounding protected elements is an act of clear and blatant copyright infringement,” the judge wrote.Engelmayer also said key similarities between the works — serial killers who are loners bent on destroying society, villains who taunt pursuers with “clues and riddles,” and moments of “clarity or epiphany” that propel villains to crime — were too commonplace to support Wozniak’s copyright claim.For the latter, the judge in a footnote cited movies including “Star Wars: Episode III — Revenge of the Sith,” where Anakin Skywalker succumbs to the dark side of the Force and becomes Darth Vader.Engelmayer also rejected Wozniak’s “wholly speculative” claim for how Warner Bros might have gotten
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Best Picture nominated film ‘The Holdovers’ accused of plagiarism in bombshell allegations day before Oscars: ‘Genuinely overwhelming’
that were obtained by Variety.The screenwriter alleges in the missives that “The Holdovers” director Alexander Payne likely read a script for his eerily similar movie “Frisco” when it made the rounds around Hollywood in 2013 on the industry’s “black list” of most like scripts, where it peaked at number three.“The evidence the holdovers screenplay has been plagiarised line-by-line from “Frisco” is genuinely overwhelming – anybody who looks at even the briefest sample pretty much invariably uses the word ‘brazen,’” Stephenson wrote in the email he sent to the WGA’s director of credits Lesley Mackey, after speaking with him about the movies’ similarities.“Frisco” is a drama that follows a cranky children’s hospital worker who gets stuck watching after his 15-year-old student — similar to how Paul Giamatti plays a prep-school classics teacher who spends a Christmas break a troubled teen, played by Dominic Sessa, and the school’s cafeteria manager, played by Da’Vine Joy Randolph.Stephenson meticulously compared the two films scene by scene as well as important sequences and dialogues. He alleges Payne reviewed the Frisco script in 2013 and had it again in late 2019 before he approached first-time film writer David Hemingson about “The Holdovers.” Hemingson also received producing credits on the movie.In a Feb.
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Podcaster claims Hulu’s Chippendales series ripped her off: ‘Troubling’
Hulu limited series of using exclusive reporting from her Spotify podcast without citation or payment.In an interview with The New York Times published Friday, Petrzela explained that she believes that content from her podcast, “Welcome to your Fantasy,” was used for Kumail Nanjiani’s “Welcome to Chippendales.”Petrzela further told The Post on Saturday that she is “troubled by the close similarities” between the two projects.“From story structure to certain characters and plot details to the almost identical title, which understandably led many to believe, mistakenly, that I was involved in the creation of the television adaptation,” Petrzela emailed The Post.“I am glad this case is being reported because it raises important questions about attribution and creative ethics, especially when reporting nonfiction.”The Post reached out to Spotify, Hulu, and Nanjiani’s reps for comment.Petrzela’s 2021 podcast, which was co-produced by Gimlet Media and Pineapple Street Studios, told the story of Somen “Steve” Banerjee, the late founder of the all-male revue Chippendales.The nine-episode series explored Banerjee’s rise and fall before his 1994 suicide ahead of sentencing for pleading guilty to arson, racketeering and murder-for-hire charges.Banerjee had hired Nick De Noia to help him manage the business, but after a bad deal, Banerjee became angry with De Noia and wanted to have him killed.“It was forbidden for dancers to take money for sex but some did,” Petrzela told The Post in a 2021 interview about Chippendales. “I heard of guys making $300 to $1,500 for encounters.”Petrzela worked on the Spotify series with Dr.
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