The Bedwetter review – Sarah Silverman musical is a crude but kind success
an early casualty of the pandemic’s first wave and the worst possible April Fool’s joke. Related: A Strange Loop review – Michael R Jackson’s thrilling Broadway triumph This gives The Bedwetter – clever, comic, small-scale splendid – a mournful metatext and a kind of terrible irony. Because The Bedwetter includes many bad jokes, nearly all of them delivered by the 10-year-old Sarah (Zoe Glick, a ball of big pubescent energy), a precocious misfit.