‘The Witcher’ Proves Magical Showcase for Poland’s Rising Post-Production and VFX Industry
Christopher Vourlias It was as early as 2010, as he likes to tell it, when Polish animator and visual artist Tomasz Bagiński lobbied his friend Andrzej Sapkowski to make a movie. Sapkowski is the author of “The Witcher” series of fantasy novels, and Bagiński — already Oscar-nominated for his short film “The Cathedral” — had dreams of taking the series to the big screen. Among the project’s early boosters was Platige Image, the Polish animation, VFX and post-production studio that Bagiński joined in 2004. When Netflix swooped in to acquire the rights to “The Witcher” in 2017, the company was tapped to executive produce alongside L.A.-based Hivemind. The Polish studio also became one of several houses to handle special effects for the series, earning an Emmy nomination for its VFX work on what has gone on to become one of Netflix’s biggest international hits.