‘Axiom’ Review: A Perfectly Truthful Portrait of a Pathological Liar
Jessica Kiang Perhaps you know the feeling, the strange tingle of vertigo you get when you’re having an entirely normal conversation with an acquaintance, and you suddenly realize that for seemingly no reason — and often about the most inconsequential things — they are lying to you. Jöns Jönsson’s “Axiom,” a standout in this year’s Berlinale Encounters section, is physically set in a comfortably well-educated, middle-class Austrian environment. But its psychological terrain is discomfort.