‘Death of a Virgin, and the Sin of Not Living’ Review: Inner Lives Revealed With Originality and Compassion
Jay Weissberg There may be films that resemble in certain details “Death of a Virgin, and the Sin of Not Living,” though nothing readily comes to mind, and even were there something to compare it to, it wouldn’t lessen the way it burrows inside until you find yourself flooded by the fragility of life, with all its beauty and sorrow. That novice director George Peter Barbari was even able to get this made given financing difficulties is nearly miraculous, and while debuting during a pandemic isn’t ideal, somehow the heightened awareness of how easy it is to be pushed off course makes the film’s poetics even more effective.