‘Petite Solange’ Review: No Surprise That Divorce Is Hard on Teens in French Drama
Jay Weissberg French director Axelle Ropert makes an unwise shift from sprightly comedy (“Miss and the Doctors,” “The Apple of My Eye”) to faux-naive artificiality with “Petite Solange,” a tiresome divorce drama seen through the eyes of an adolescent girl. Though clearly meant as a refreshing, femme-centric throwback to a style of filmmaking that petered out in the 1970s (Ropert cites inspiration from François Truffaut and Luigi Comencini), the results merely feel out of place, bizarrely innocent and clumsily executed.