‘2067’ Review: Kodi Smit-McPhee Visits an All-Too-Familiar Dystopian Future
Dennis Harvey Film CriticBy now the term “dystopian future” almost seems redundant, at least at the movies — when was the last time you saw a film in which the future wasn’t dystopian? Audiences can swan-dive down that familiar sinkhole once again in “2067,” an Australian sci-fi adventure that’s the first directorial feature from Seth Larney, whose visual-effects background is evidenced in a good-looking production that gets a lot out of its design aspects for the buck.In the realms of storytelling and character interest, however, this stock “can our protagonist save the planet that humanity already wrecked?” tale proves less resourceful, bogging down in convoluted, low-boil intrigue despite taking place in both the titular year and 25th