‘Inu-oh’ Review: Anime’s Most Out-There Auteur Electrifies the Noh Tradition
Peter Debruge Chief Film CriticWhat Westerners don’t know about Noh — the classical Japanese theater form in which masked dancers gracefully interpret supernatural tales — could easily fill a 12-hour PBS documentary. But who wants to watch that? Certainly not the audience renegade anime director Masaaki Yuasa is after with “Inu-oh,” a rowdy punk alternative focusing on two social rejects whose defiantly original performance style broke all the rules and elevated them to rock-star status, only to be (all but) forgotten by history.Among the most unpredictable artists of his medium, Yuasa specializes in trippy, off-the-wall anime features such as “Mind Game” and “Night Is Short, Walk On Girl” that recall the work of psychedelic toonsmith Ralph Bakshi at his anti-establishment extreme (“Coonskin,” “Wizards”).