‘A Chiara’ Review: Diving Into a Teen’s Suddenly Destabilized World
Jay Weissberg It comes as something of a surprise to realize we still feel invested, four years on, in the characters Jonas Carpignano created in “A Ciambra” and, two years earlier, “Mediterranea.” Those two films, shot with a muscular contemporary neorealism, captured two sides of life in the hardscrabble underside of the Calabrian city Gioia Tauro, a place so associated with the province’s criminal organization the ‘Ndrangheta that most websites barely mention a more salutary history stretching back millennia.