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Ana De-Armas
Ana Celia de Armas Caso (born 30 April 1988) is a Cuban actress. She began her career as a teenager in her native Cuba and most notably had a leading role in the romantic drama Una rosa de Francia (2006). At the age of 18, she moved to Madrid, Spain and starred in the popular teen drama El Internado for six seasons from 2007 to 2010. After moving to Los Angeles, de Armas had English-speaking roles in the horror film Knock Knock (2015) and the crime drama War Dogs (2016). She had a supporting role in the sports biopic Hands of Stone (2016).
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Marilyn Monroe Bobby Cannavale Ana De-Armas Adrien Brody Julianne Nicholson Andrew Dominik Joyce Carol Oates USA Netflix film performer Marilyn Monroe Bobby Cannavale Ana De-Armas Adrien Brody Julianne Nicholson Andrew Dominik Joyce Carol Oates USA Netflix

‘Blonde’ divides critics in first reviews: “An engrossing slow-motion car wreck of a movie”

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Blonde has divided critics in early reviews, who have described it as both “miserabilist” and “fascinating”.Directed by Andrew Dominik and based on the novel by Joyce Carol Oates, Blonde stars Ana de Armas as Marilyn Monroe and “blurs the lines of fact and fiction” in a reimagining of her life.

The film also stars Adrien Brody, Bobby Cannavale and Julianne Nicholson.Blonde has attracted controversy after it received a restrictive NC-17 rating in the US, which recommends that no-one under the age of 18 should see the biopic.Following its premiere at the Venice Film Festival on Thursday (September 8), where the film was met with a reported 14-minute standing ovation, reviews have now been released online – which paint a more controversial reception.In a positive review on Deadline, de Armas’ performance is described as “extraordinary”, “ferociously emotional” and the reason “the film works at all”.

The review, however, notes some explicit scenes of a miscarriage and a talking foetus might turn off viewers.“But for the brave and the curious, Blonde should prove fascinating, an engrossing slow-motion car wreck of a movie that puts you squarely in the driver’s seat of the oncoming vehicle,” the review reads.In a three-star review on The Guardian, the film is described as potentially slipping into an “exploitativeness that is problematic” in regard to the explicit scenes.“It will be interesting to see how this plays to audiences when it comes out and eventually hits Netflix, testing whether Monroe’s story still speaks to viewers younger than the baby boomers who remember her when she was still alive,” the review reads. “De Armas’ intense and ultimately persuasive performance goes a long way towards bringing the goddess down to.

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