The Zutons: Celebs Rumors

The Zutons‘ frontman Dave McCabe has praised Amy Winehouse and Mark Ronson‘s iconic cover of their song ‘Valerie’, saying it was “a gift from god”.The band have recently made a comeback with their new single ‘Creeping On The Dancefloor’, which was released last month as their first new music for 16 years.In a new interview on Radio X, McCabe discussed how the ‘Valerie’ cover kept them in the public consciousness while they were inactive as a band, even if it took people a while to realise that it was originally their song.“The way I see it, it was like a gift from god and I was there to receive it,” he said.“The band was there to receive it… and some people are like, ‘Were you pissed off when she took your song?’ And I was like, ‘Well not really, because she just immortalised the whole thing.’ Do you know what I mean? Because it was a big song anyway, but that just took it to this whole new level.”McCabe did admit that he felt uneasy about the song at times, especially when people asked how much money he’d made from it. However, nowadays he has no such hard feelings towards the song and believes it has become bigger than the band itself.“I think it’s in the Top 10 of karaoke songs,” he said.

The Zutons‘ Dave McCabe has recounted how Amy Winehouse telling him to “fuck off” led to her iconic cover of their song ‘Valerie’.In NME‘s latest series of Does Rock ‘N’ Roll Kill Braincells?!, in which we quiz musicians on their own career to see how much they can remember, the Zutons frontman opened up about how the cover came to be.“I met Amy three times in my life,” he recalled. “Once at the Mercury Prize, once in the Camden boozer The Hawley Arms, and once when I was hanging around with this Brummie lad called Boo, who was a tit.“He spent all night comparing me to her, saying: ‘If you’re a 1, she’s a 10’. I thought: ‘OK, I get it, she’s good’.

The Zutons have released their funky new single ‘Creeping On The Dancefloor’.‘Creeping On The Dancefloor’ is the Liverpool band’s first new music in 16 years, and was recorded all the way back during the pandemic. The single is taken from their upcoming album ‘The Big Decider’, produced by the legendary Nile Rodgers and Ian Broudie.

The Zutons have announced details of a full UK headline tour to take place in April 2024 – see the full details below.Last month, the Liverpool band announced their return, with details of ‘The Big Decider’, their first new album in 16 years.Alongside that news, they confirmed that they will be playing a run of intimate live shows around the UK in January, February and March, tickets for which have now sold out.Now, they have expanded that with a run of bigger shows to take place throughout April, starting at Bristol’s Marble Factory on April 12, and winding up with a homecoming show at Liverpool’s Olympia on April 26.Tickets for the shows are available via pre-sale from 10am on Wednesday (December 6), before going on general sale on Friday (December 8). Get your tickets here.The Zutons will play: APRILFri 12 – BRISTOL, Marble FactorySat 13 – MANCHESTER, New Century HallSun 14 – NEWCASTLE, Wylam BreweryTue 16 – BIRMINGHAM, XOYOWed 17 – SHEFFIELD, LeadmillThu 18 – GLASGOW, SWG3 TV StudioSun 21 – SOUTHAMPTON, Engine RoomsMon 22 – BRIGHTON, ChalkWed 24 – KINGSTON, PryzmThu 25 – OXFORD, O2 AcademyFri 26 – LIVERPOOL, Olympia‘The Big Decider’ will be released on April 26, with production by disco legend Nile Rodgers and The Lightning Seeds’ Ian Broudie.

The Lightning Seeds’ Ian Broudie has spoken to NME about the band’s forthcoming greatest gits compilation ‘, their celebrated comeback and his work on the first Zutons album in 16 years.The 20-track compilation ‘Tomorrow’s Here Today: 35 Years Of The Lightning Seeds’ will be released on October 4, 2024, as a non-chronological collection of the band’s finest moments – taking in huge ‘90s hits such as ‘Pure’, ‘The Life Of Riley’, ‘Sense’, ‘Lucky You’ and ‘Marvellous’, more recent tracks including ‘Emily Smiles’ and choice singles and album tracks such as ‘All I Want’ and ‘The Nearly Man’ from 1990s debut album ‘Cloudcuckooland’ and ‘My Best Day’ from 1993’s ‘Jollification’.The release will be accompanied by a UK headline tour in November and December 2024, following on from this year’s support tour with Madness which kicks off on December 1.Meanwhile, Broudie has recently produced the long-awaited new Zutons’ album and released his first book, also called Tomorrow’s Here Today, which explores in anecdotal form his history on Liverpool’s ‘80s underground scene alongside Echo & The Bunnymen and The Teardrop Explodes, as well as the loss of his brother Robert to suicide in 2006.“It’s become my favourite time,” Broudie told NME of The Lightning Seeds’ return with last year’s seventh album ‘See You In The Stars’, now with his son Riley as manager and Lightning Seeds guitarist. “I love my band, I love playing live, which I never used to like, and I feel like we’re really good.

The Zutons are back with their first album in 16 years, as well as an upcoming run of UK tour dates.Titled ‘The Big Decider’, the new album was recorded at Abbey Road Studios with songwriter and producer Nile Rodgers, alongside the band’s original producer Ian Broudie. It is set for release on April 26.Completed by Dave McCabe (guitar, lead vocals), Abi Harding (saxophone, vocals) and Sean Payne (drums, vocals), the forthcoming album follows on from the three LPs the multi-platinum selling band released between 2004 and 2008, and is one “born under the weight of family tragedies”.According to a press release, the album was “wrestled into shape under the kind of steam that only decades-long friendships – with all their messy fall-outs, make-ups, breakdowns and ultimately love – can muster”, and became symbolic of the love of creating music rising above all else.The members were also brought together after McCabe’s stay in rehab, which sparked a turning point for the artist and a closer bond being formed between the members.“Dave has been through an awful lot in the last few years, and these things have obviously really impacted him.