‘On Swift Horses’ Review: Jacob Elordi & Daisy Edgar-Jones Can’t Spark This Queer Drama [TIFF]
TORONTO – Queer characters hiding their true selves in the 1950s and early 1960s America is becoming something of its own subgenre. There is already Todd Haynes’ acclaimed melodrama “Carol,” Tom Ford’s “A Single Man,” Bill Condon’s “Gods and Monsters,” and a whole storyline in Stephen Daldry’s “The Hours.” All four of those films also have something in common, they are revered contemporary classics.