Shorts: Celebs Rumors

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‘Transitions Shorts’ Reviews: Reel Affirmations 2023

Overall Rating for this Program: ★★★★☆, CRITIC’S PICKThis year’s “Transitions” program kicks off with a sweet, honest portrayal of young love in Daisy Friedman’s As You Are (★★★☆☆).Millie and Piper, an inter-abled lesbian couple played by Bri Scalesse and Estefanía Giraldo, navigate their expectations around spending the night together for the first time and must reckon with their own sexuality and vulnerability as so many couples do.Although the two have an early moment of tension around Millie’s use of a wheelchair, that tension reveals itself to be about a deeper insecurity on Piper’s part. In this way, Friedman takes a refreshing approach to depicting disability on film, making sure it is present and acknowledged, but taking care to tell a three-dimensional love story around it, too.Honey & Milk (★★★☆☆) drops us into the end of a mature relationship, following the story of a couple who has decided to end their partnership and must dismantle their lives.We are dropped into the final weekend of the relationship between Grayson, who has begun to transition, and Alice, who loves and supports her partner but struggles to grieve the impending loss.While there is little in the way of narrative payoff and the short seems uncertain of exactly what it wants to build towards, the chemistry between the two is believable, it nevertheless stands as a beautifully shot portrait of a love that outlasts a relationship that must end so one half can be free to thrive.The program takes a heartrending turn with Our Males & Females (★★★★☆), a brief, deeply affecting short from Jordan.
metroweekly.com

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metroweekly.com
‘Transitions Shorts’ Reviews: Reel Affirmations 2023
Overall Rating for this Program: ★★★★☆, CRITIC’S PICKThis year’s “Transitions” program kicks off with a sweet, honest portrayal of young love in Daisy Friedman’s As You Are (★★★☆☆).Millie and Piper, an inter-abled lesbian couple played by Bri Scalesse and Estefanía Giraldo, navigate their expectations around spending the night together for the first time and must reckon with their own sexuality and vulnerability as so many couples do.Although the two have an early moment of tension around Millie’s use of a wheelchair, that tension reveals itself to be about a deeper insecurity on Piper’s part. In this way, Friedman takes a refreshing approach to depicting disability on film, making sure it is present and acknowledged, but taking care to tell a three-dimensional love story around it, too.Honey & Milk (★★★☆☆) drops us into the end of a mature relationship, following the story of a couple who has decided to end their partnership and must dismantle their lives.We are dropped into the final weekend of the relationship between Grayson, who has begun to transition, and Alice, who loves and supports her partner but struggles to grieve the impending loss.While there is little in the way of narrative payoff and the short seems uncertain of exactly what it wants to build towards, the chemistry between the two is believable, it nevertheless stands as a beautifully shot portrait of a love that outlasts a relationship that must end so one half can be free to thrive.The program takes a heartrending turn with Our Males & Females (★★★★☆), a brief, deeply affecting short from Jordan.
metroweekly.com
Rehoboth Beach Film Festival Revels in LGBTQ Movies
Passages, the “sexy and sad” romantic drama from writer-director Ira Sachs, and Sundance Grand Jury Prize-winning documentary Going to Mars: The Nikki Giovani Project, the festival aims to celebrate the community that’s been there for decades.Other highlights of this year’s festival include It’s Only Life After All, a newly-minted documentary about the Indigo Girls, the Argentinian drama Horseplay, and Nelly & Nadine, a poignant documentary about two women who, after their release from Ravensbrück concentration camp, forged a life of companionship and love.Cinema Art executive director Helen Chamberlin, a native Washingtonian who spent her summers as a youth in Rehoboth, has watched the area’s community evolve over the years. “I remember it was very prevalent that there was an LGBT — or LGB — community here in Rehoboth back in the mid-seventies,” she recalls.“When I looked at the original mini film festival that they did for this community — when I got here, it was called ‘LGBTQ Cine-brations’ — I thought to myself, ‘You know, Pride has become such a huge phenomenon globally…let’s get in the game here.”Getting in the game meant re-branding the festival, scheduling it during Pride Month, maintaining partnerships with organizations like festival co-presenter CAMP Rehoboth, and going after some of the most buzzed-about queer-themed titles to premiere this year at Sundance and Berlin.“When you rebrand something, you have to grow your audience,” says Chamberlin, who stepped into her role at the Cinema Art and the Rehoboth Beach Film Society a year ago.
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