Will any Bonnaroo performer defy Tennessee’s ban on drag performance?
I’ve been thinking a lot about Sinead O’Connor. I’ve been listening to her music, how her voice jumps between a mythic wail and a shattered whisper on “Troy.” It feels almost vulgar that her career is often reduced to her 1992 appearance on Saturday Night Live, where her protest against the enablement of child abuse by the Catholic Church — tearing up a picture of Pope John Paul II as she finished an a capella cover of Bob Marley’s “War” with a cry of “child abuse!” — was seen and heard around the world.