‘Take Me to the River: New Orleans’ Review: Crescent City’s Music Veterans Meet the Funky Next Generation in a Spirited Doc
Chris Willman Senior Music Writer and Chief Music CriticThe last time there were as many trombones in a movie as there are in “Take Me to the River: New Orleans,” Harold Hill was probably leading a parade. The ongoing vitalization of the Crescent City’s music culture really is like something out of a horn salesman’s fever dream, with younger generations readily taking up New Orleans’ traditional second-line culture in a way that can only make the aging elders of other regional music scenes green with envy.