‘Fear Street: 1666’ Music Involved Hunting Down a Witchy Vibe to Cap the Trilogy
Jazz Tangcay Artisans EditorHorror fans tuning into the final installment of Netflix’s trilogy “Fear Street,” based on the R.L Stine books, are transported back to 1666 to experience a nightmare that has been haunting the town of Shadyside for generations: a witch hunt.To create the soundscape, composer Anna Drubich, influenced by Ari Aster’s 2019 release “Midsommar” and helped along with her training as a classical composer, worked with Marco Beltrami to come up with an experimental vibe. She talked to Variety about her process.Leigh Janiak had the idea that each movie would be set in different eras.