‘Chip ‘n Dale: Rescue Rangers’ Review: The Fuzzy Adventurers Are Back — But Different — In a Very Meta Disney Reboot
Amy Nicholson If only Andy Warhol had lived to see “Chip ‘n Dale: Rescue Rangers,” the cinematic culmination of the Campbell’s soup can painter’s meta-commentary on the blurring of art and commerce. This frenetic and funny crossbreeding of live action and cartoon is both a reboot and an anti-reboot, a corporate-funded raspberry at corporate IP, and a giddily dumb smart aleck committed to mocking its joke — and making it, too.Director Akiva Schaffer, a producer and occasional helmer, has already helped to invert the meathead action flick (“MacGruber”), the rock biopic (“Pop Star: Never Stop Never Stopping”), the time-loop comedy (“Palm Springs”) and, of course, the music video as one-third of The Lonely Island, co-founded with his middle school friends Andy Samberg and Jorma Taccone, both of whom voice characters here.