The Mother” is like a lot of Netflix action-dramas of late: A mix of different genres with hints of a darker, possibly richer story, that ended up being excised due to budget and/or time constraints.
There is a lot of well-worn inspiration to be found in its familiar plot, from the survivalist parent/daughter relationship found in the 2011 feature “Hanna” to another Jennifer Lopez feature, 2018’s “Second Act” in which Lopez’s character is also at odds with a daughter she gave up at birth named Zoe.
All of this is to say a film like “The Mother” shouldn’t work, and it doesn’t completely gel 100 percent. But in the hands of Jennifer Lopez and director Niki Caro, the film as a whole mostly comes together as an action-packed (at times), contemplative (at times) and entertaining story of maternal self-sacrifice.
The audience meets Jennifer Lopez as an unnamed woman — referred to as the eponymous “Mother” — turning herself into the FBI as an informant.
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