The Cw: Celebs Rumors

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Visually impaired Dolly Lewis plays clinically blind ex-cop on ‘Sight Unseen’: ‘A gritty lone wolf’

Daniel Gillies), why she’s leaving.Tess finds a visual assistance app in which a guide walks her through investigations via a small camera on her clothing (Tess wears an earpiece for audio). That guide turns out to be Sunny Patel (Agam Darshi), an insistent, excitable agoraphobic who’s thousands of miles away in New York City; the two women quickly bond as Patel helps Avery solve cases and catch the bad guys, often assisting Campbell and the Vancouver PD.The crime procedural was created by Karen and Nikolijne Troubetzkoy.“[Karen] has had numerous operations and some severe loss in her eyes over the years, so she’s certainly bringing her own experience to developing the role of Tess,” said Lewis, a classically trained actress (the Esper Studio in Manhattan) who beat out hundreds of other actors to snare the part.“And they hired at least one other writer [Graham Isador] who experienced loss in his sight, so he was able to further advise into how Tess would actually physically be able to do something … things you wouldn’t normally know if you couldn’t navigate the world without your eyes.”Lewis said the show’s crew made it a bit easier for her to navigate the set due to her sight impairment.“I chose not to wear any kind of corrective eyewear on the set to help me physically embody the behavior of somebody who is trying to get their bearings when they can’t see what’s around them,” she said.
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nypost.com
Visually impaired Dolly Lewis plays clinically blind ex-cop on ‘Sight Unseen’: ‘A gritty lone wolf’
Daniel Gillies), why she’s leaving.Tess finds a visual assistance app in which a guide walks her through investigations via a small camera on her clothing (Tess wears an earpiece for audio). That guide turns out to be Sunny Patel (Agam Darshi), an insistent, excitable agoraphobic who’s thousands of miles away in New York City; the two women quickly bond as Patel helps Avery solve cases and catch the bad guys, often assisting Campbell and the Vancouver PD.The crime procedural was created by Karen and Nikolijne Troubetzkoy.“[Karen] has had numerous operations and some severe loss in her eyes over the years, so she’s certainly bringing her own experience to developing the role of Tess,” said Lewis, a classically trained actress (the Esper Studio in Manhattan) who beat out hundreds of other actors to snare the part.“And they hired at least one other writer [Graham Isador] who experienced loss in his sight, so he was able to further advise into how Tess would actually physically be able to do something … things you wouldn’t normally know if you couldn’t navigate the world without your eyes.”Lewis said the show’s crew made it a bit easier for her to navigate the set due to her sight impairment.“I chose not to wear any kind of corrective eyewear on the set to help me physically embody the behavior of somebody who is trying to get their bearings when they can’t see what’s around them,” she said.
nypost.com
Scary reason Hilarie Burton hid feet in ‘One Tree Hill’ sex scenes
“Drama Queens” podcast that she was “uncomfortable” when filming sex scenes that showed off her feet.Why? Because the former MTV VJ would often receive prison mail from jailers who were obsessed with her toes.Burton referenced the 2005 Season 2 episode, “Somewhere a Clock Is Ticking,” which features her character Peyton Sawyer having relations with her beau Jake Jagielski (Bryan Greenberg).“There was a couple dudes in particular that were like, ‘I’m gonna cut your feet off and put them in my refrigerator,'” the “Walking Dead” actress told hosts and “OTH” costars, Sophia Bush and Bethany Joy Lenz.She added that the letters she got were “very specific” in nature and she also began obtaining these so-called love notes when started working for MTV in the early 2000s.She continued, “And I had a thing about my feet on TV. I would always try to, like, hide my feet because I was just like, ‘I don’t want them to think I’m baiting them,’ you know?”During filming for the episode, Burton said the director, Billy Dickson, desired to shoot the intimate scene from an angle that showed “our feet and like our legs rubbing together” with the camera “coming up our bodies.” However, Burton thought the direction was “way too adult” for a teen show about high schoolers.She decided to listen to Dickson and positioned herself for the shot because “it’s so much harder to say ‘no’ to someone who you like and respect than it is to say it to a total stranger who’s just coming in to direct for 10 days.”“Back then, it was on film and you just had to trust what was going on on the monitor was what you asked for,” Burton said.
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