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‘Sesame Street’ Writers Set New Contract, Avert Strike

William Earl Writers at Sesame Workshop reached a five-year agreement with the production company behind “Sesame Street,” averting the possibility of picket lines popping up in the show’s friendly neighborhood. The Writers Guild of America confirmed the deal late Friday. The group of 35 writers employed by the nonprofit organization voted unanimously to support a strike authorization vote last week.
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Ghostpoet calls German culture strike “misdirected” while declaring support for Gaza
Ghostpoet has described the new German culture strike as “misdirected”, while also declaring his support for Gaza.In recent weeks figures from the arts and entertainment industry have voiced their support for the Strike Germany movement in response to the government’s “use of McCarthyist policies that suppress freedom of expression” related to showing solidarity with Palestinians in Gaza.An open letter from the movement claims that Palestine solidarity protests have been “mislabeled as anti-Semitic and banned” while activist spaces are “raided by police, and violent arrests are frequent”.It adds that Strike Germany is a “call for international cultural workers to strike from German cultural institutions”.However, British artist Ghostpoet – real name Obaro Ejimiwe – has expressed scepticism over the strike’s “wave of blanket cancellations”.In an Instagram post shared last week, the Mercury Prize-nominated singer-songwriter wrote that while he shares the anger over “Germany’s unforgivable support of Israel’s genocidal campaign against Palestinians”, it will not “achieve the desired results”.A post shared by Ghostpoet (@ghostpoet)He added that the strike is “misdirected”, because many of the affected institutions are “spaces for dissent against these genocidal policies” but are the ones “paying the price for the government’s position”.Other shortcomings he claimed to be hindering the strike included that there was “no mutual aid plan” that would help provide financial, political, legal and logistical support to strikers, while also noting that arts and culture workers in Germany were “not a cohesive category”.He said most were freelancers whose income depended on exhibitions, gigs and events.“Ultimately, instead of bearing
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