Merit: Celebs Rumors

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variety.com
Robert Downey Jr. Calls ‘Dolittle’ and ‘Shaggy Dog’ the ‘Most Important Films’ He’s Done in the Last 25 Years,’ Says ‘Avengers: Age of Ultron’ Is ‘Content’
Zack Sharf Digital News Director When thinking of the most important movie in Robert Downey Jr.’s filmography over the last 25 years, one might naturally assume the answer is “Iron Man,” the 2008 superhero tentpole that launched the Marvel Cinematic Universe and changed the blockbuster landscape in Hollywood. But that’s not the movie Downey Jr. himself would pick. In a new interview with The New York Times Magazine, the Oscar nominee cited 2006’s “The Shaggy Dog” and 2020’s infamous “Dolittle” flop as his most important titles. “I finished the Marvel contract and then hastily went into what had all the promise of being another big, fun, well-executed potential franchise in ‘Dolittle,'” Downey Jr. said. “I had some reservations. Me and my team seemed a little too excited about the deal and not quite excited enough about the merits of the execution. But at that point I was bulletproof. I was the guru of all genre movies. Honestly, the two most important films I’ve done in the last 25 years are ‘The Shaggy Dog,’ because that was the film that got Disney saying they would insure me. Then the second most important film was ‘Doolittle,’ because ‘Dolittle’ was a two-and-a-half-year wound of squandered opportunity.”
variety.com
‘Blood for Dust’ Review: ‘Breaking Bad’ Meets ‘Fargo’ in Rod Blackhurst’s Montana-Set Drug Smuggling Thriller
Peter Debruge Chief Film Critic A slow-burn Rocky Mountain noir set along the corridor between Billings, Mont., and the Canadian border — a cold, lonely stretch of highway shared by salesmen and smugglers alike — “Blood for Dust” establishes a ruthless sense of sangfroid from its opening shot. On a desk in a bland business office sits a family portrait, depicting a proud Marine and his family. Without warning, a shotgun goes off, splattering the photo and the wall behind it in blood and brain matter. The camera pulls back to reveal the same man, his face half-missing, a briefcase full of cash propped open on his desk. It’s a jarring — and jarringly artificial — scene. Fortunately, it’s the only one that rings false in director Rod Blackhurst’s otherwise tense, no-nonsense thriller, a standout of the 2023 Tribeca Film Festival that merits comparison to “Breaking Bad” or “Hell or High Water,” but with snow instead of sand. Moments after that opening gun blast, “Game of Thrones” star Kit Harrington (sporting a sleazy handlebar mustache) and Scoot McNairy (as his hangdog accomplice) show up, too late to save the friend who offed himself. In taking his own life, the dead man saved theirs. The question that lingers is how long their luck may last.
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