Mac Demarco: Celebs Rumors

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Billie Eilish, Robert Smith and more sign open letter warning against “predatory” use of AI in music

Billie Eilish, Robert Smith, Stevie Wonder and Nicki Minaj are just a handful of artists who have signed an open letter warning against the “predatory” use of artificial intelligence (AI) in music.Yesterday (April 2), non-profit organization Artist Rights Alliance issued an open letter titled ‘Stop devaluing music’ about the rise of AI in music, signed by over 200 prominent names in the music industry. Read the full letter here.Through the letter, the artist-run nonprofit organization asks that developers, technology companies, and platforms and digital music services “pledge that they will not develop or deploy AI music-generation technology, content, or tools that undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”The letter states: “Make no mistake: we believe that, when used responsibly, AI has enormous potential to advance human creativity and in a manner that enables the development and growth of new and exciting experiences for music fans everywhere.”“Unfortunately, some platforms and developers are employing AI to sabotage creativity and undermine artists, songwriters, musicians and rightsholders.
nme.com

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nme.com
Billie Eilish, Robert Smith and more sign open letter warning against “predatory” use of AI in music
Billie Eilish, Robert Smith, Stevie Wonder and Nicki Minaj are just a handful of artists who have signed an open letter warning against the “predatory” use of artificial intelligence (AI) in music.Yesterday (April 2), non-profit organization Artist Rights Alliance issued an open letter titled ‘Stop devaluing music’ about the rise of AI in music, signed by over 200 prominent names in the music industry. Read the full letter here.Through the letter, the artist-run nonprofit organization asks that developers, technology companies, and platforms and digital music services “pledge that they will not develop or deploy AI music-generation technology, content, or tools that undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”The letter states: “Make no mistake: we believe that, when used responsibly, AI has enormous potential to advance human creativity and in a manner that enables the development and growth of new and exciting experiences for music fans everywhere.”“Unfortunately, some platforms and developers are employing AI to sabotage creativity and undermine artists, songwriters, musicians and rightsholders.
metroweekly.com
‘Lil Nas X: Long Live Montero’ Creates Space for Greatness Without Filling It
Lil Nas X: Long Live Montero, the artist known as Lil Nas X lays down his ambitions to achieve something “great, super grand, BIG.”He might be referring to his trailblazing career as a Grammy-winning rapper-singer-songwriter, whose unabashedly queer persona and presentation garner admiration and controversy in equal measure.He could mean his first concert tour as a headliner, the Long Live Montero Tour, the American leg of which is chronicled in this film by directors Carlos López Estrada and Zac Manuel.There’s little doubt he envisions greatness for himself, Montero Hill, the self-described brat from Lithia Springs, Georgia, who uploaded his modest country-rap banger “Old Town Road” to his socials and became a global sensation.The film, a verité-style tour diary in three acts, doesn’t achieve greatness of its own, but offers glimpses at those aforementioned aspects of Montero’s super grand life.Whether rehearsing for opening night at Detroit’s legendary Fox Theatre, getting a surprise pre-show visit from Madonna, or donning his drag persona to meet his uncannily accurate Madame Tussaud’s wax figure, he rides the dizzying whirlwind of music stardom with aplomb, clearly living out a dream.Among the most compelling footage presented here is the video he shot himself in 2018, as a striving but confident 19-year-old, a month after releasing “Old Town Road” to the internet. Looking into the camera, he tallies his current follower count, promising that in a year the count will look different.
nme.com
Watch Snail Mail and Mac DeMarco cover Talking Heads’ ‘This Must Be The Place’ at Valentine Fest
Snail Mail (aka Lindsey Jordan) linked up with Mac DeMarco to cover Talking Heads’ 1983 classic ‘This Must Be The Place (Naive Melody)’.The cover ended Jordan’s show at the Ottobar on Monday (February 13); it was her fourth consecutive night performing at the 350-capacity venue – a local spot of hers – with the fifth and final gig taking place last night (February 14). As well as DeMarco, she was joined by a group of her and her band’s friends, who sung along and played additional instruments like shakers and a cowbell.It followed a playthrough of ‘A Cuckhold’s Refrain’, the joint single Jordan and DeMarco released – under the moniker of Peppermint Patty – last September. Earlier in the night, too, Jordan and her band covered Ride’s 1990 track ‘Vapour Trail’.Have a look at fan-shot recordings of the two covers, then see the full setlist from the night (via setlist.fm) below:1. ‘Headlock’ 2. ‘Golden Dream’ 3. ‘Thinning’ 4. ‘Speaking Terms’ 5. ‘Heat Wave’ 6. ‘Automate’ 7. ‘Ben Franklin’ 8. ‘Glory’ 9. Madonna 10. ‘C. Et Al.’ 11. ‘Vapour Trail’ [Ride cover] 12. ‘Pristine’ 13. ‘Valentine’ 14. ‘Static Buzz’ 15. ‘A Cuckhold’s Refrain’ [with Mac DeMarco] 16. ‘This Must Be The Place (Naive Melody)’ [Talking Heads cover, with Mac DeMarco and friends]During the second night of her Valentine Fest last Saturday (February 11), Jordan linked up with Soccer Mommy to cover ‘I’m With You’ by Avril Lavigne.The five-night event was titled for Jordan’s second album as Snail Mail, ‘Valentine’, which arrived last November via Matador.
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