Hamilton: Celebs Rumors

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nypost.com
How much is the cheapest ‘Hamilton’ ticket? The answer may surprise you
“Hamilton” opened on Broadway in 2015 and for the past eight years has consistently been the hottest ticket on the Great White Way.Way back when the 11-time Tony Award-winning musical first premiered at the Richard Rodgers Theatre, critics and fans alike were dazzled by the original hip-hop reimagining of Secretary of State Alexander Hamilton’s life.By 2017, some seats were going for as high as $42.5K for a pair of tickets according to Financial Planner LA.That’s more than the average starting price for a minivan in 2023.However, as the years have gone by, prices have become much more reasonable to see Broadway’s buzziest, most talked about production.In fact, at the time of publication, some tickets are only $117 before fees on Vivid Seats.For those keeping score at home, that’s 0.002% of $42,500.Fans that want to get up close and personal with Hamilton, Burr, Washington, Lafayette and King George may have to shell out a bit more – but not much.Ticket prices for lower-level orchestra seats can be procured for around $180 before fees depending on the show.Not in New York City in the “room where it happens?”Not a problem.You can still get your “shot” to see the show in person.“Hamilton” is on tour in cities like Toronto, Virginia and Minneapolis.All prices listed above are subject to fluctuation.“Hamilton” abides by the standard eight-show a week schedule.That means matinees on Wednesday, Saturday and Sunday.As expected, the lights go dark on Mondays at the Richard Rodgers Theatre.If you want a closer look, “Hamilton’s” complete calendar including show dates, start times and links to buy tickets can be found here.The show runs 2 hours 45 minutes including an intermission.Although powerhouse names Lin-Manuel, Daveed Diggs,
metroweekly.com
“American Prophet” Review: Prophets and Losses
American Prophet: Frederick Douglass in His Own Words (★★★☆☆), in its world-premiere production at Arena Stage, wisely draw directly from the source for their expansive, though not exhaustive, biography of the great abolitionist, author, publisher, statesman, escaped slave, and public speaker.The bulk of Douglass’ lines and lyrics in the show are words that the man either spoke or wrote, interpreted and interpolated fluidly by book writers Charles Randolph-Wright and Marcus Hummon.Randolph-Wright also directs, while Grammy-winner Hummon composed music and lyrics for the score, which floats between R&B, pop, and gospel influences, but stays too comfortably within theater conventions.The music doesn’t start down the most adventurous path. Opening with Douglass plaintively singing “What Does Freedom Look Like?” feels way too obvious.The follow-up number, “Going to the Great House,” turns out to be a sharply satirical subversion of happy-dancing-slave tropes, but then shifts into a sober — and, again, very on-the-nose — “Wade in the Water,” complete with choreography reminiscent of Alvin Ailey’s “Revelations.”Fortunately, the show goes bolder in its characterization of Frederick Douglass.
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