The inner life of Diana Spencer has been imagined effectively in several recent speculative dramas, from TV’s The Crown to Pablo Larraín’s Spencer.
Sundance documentary The Princess invites us into her world by tracing the intense interest that followed her engagement to Prince Charles in 1981 — and it’s riveting stuff.British director Ed Perkins (Tell Me Who I Am, Black Sheep) has crafted a story using a mixture of professional and amateur footage, eschewing a traditional narration for a cacophony of unidentified voices discussing Diana.
Some are reporters ostensibly stating facts with a noticeable bias. Others are pundits judging and critiquing her openly. And of course, there are the fans who heap praise on her, the queen of their hearts and the princess of the people.Most arresting in the film, which bowed Thursday on the first night of the Sundance Film Festival in the Premieres section, are the images of Diana surrounded by photographers, jostling to get near her, whether she’s stepping out of the car in London or hitting the ski slopes on holiday.
Even if you’re well aware of how much she was photographed, it’s quite a shock to see just how little space the princess had to move in public; not so much followed as surrounded by scores of paparazzi.
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