Daniel D'Addario Chief TV Critic “Bombay felt exhilaratingly free, a place where everyone started new.” That’s Lin Ford, played by Charlie Hunnam, speaking to us in voice-over about the city where he hopes to begin again.
Today known as Mumbai, the Indian metropolis is many things; on “Shantaram,” it’s the staging ground for a white fugitive to lose and find himself.
It’s that dynamic that tends to frustrate over the course of a long season. Based on the novel by Gregory David Roberts and executive produced by Steve Lightfoot, “Shantaram” is set in the 1980s, in the wake of Lin’s prison break.
Making his way out of an Australian penal institution in the pilot episode, Lin, a recovering heroin addict, seeks to disappear into a city of millions before, potentially, moving on, but is perpetually drawn toward an intriguing, possibly amoral woman named Karla (Antonia Desplat).
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