Quentin Jerome Tarantino (born March 27, 1963) is an American filmmaker, actor, film programmer, and cinema owner.
His films are characterized by nonlinear storylines, satirical subject matter, aestheticization of violence, extended scenes of dialogue, ensemble casts, references to popular culture and a wide variety of other films, soundtracks primarily containing songs and score pieces from the 1960s to the 1980s, alternate history, and features of neo-noir film.
A.O. Scott this week ends his 23-year run as film critic for the New York Times and most movie people are glad to see him go.
So is he. “If the film world is to become relevant again, it needs critics whose work reflects passion and advocacy, and that’s the opposite of Scott,” observes one important filmmaker who fears being quoted.
Besides, he notes, Scott didn’t leave the movies; the movies left Scott. When cinema was “hot,” a critic like Pauline Kael could stir anger or applause in Hollywood simply by walking into a restaurant.
Contentious reviews of movies like Midnight Cowboy or Bonnie & Clyde stirred as much noise as did the movies themselves.
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