Troy Quane: Celebs Rumors

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metroweekly.com
‘Nimona’s’ ND Stevenson on the Power of Transforming Myths
She-Ra reboot — can draw his bustling life into a frame, one panel at a time.Filling the pages of candid, witty webcomic I’m Fine I’m Fine Just Understand with expressive line-drawn vignettes, or, say, early sketches for his award-winning science fantasy graphic novel Nimona, Stevenson, who is trans and married to fellow author/creative Molly Knox Ostertag, chronicles his own adventures in simply getting through the day.It’s a safe space, he writes, “to post little comics and updates about transition, mental health, career, and life in general.”“I just feel like comics is something that I kind of can’t not do,” Stevenson tells Metro Weekly, zooming in — before the current WGA and SAG strikes — to chat about Netflix’s new animated feature adaptation of Nimona, starring Riz Ahmed as interstellar knight Ballister Boldheart and Chloë Grace Moretz as the beloved, shape-shifting title character.Traveling the globe on behalf of the film, directed by Nick Bruno and Troy Quane, Stevenson has recently devoted several amusing pages of I’m Fine I’m Fine to recounting his “adventures from the Nimona press tour.” The webcomic travelogue marks a full-circle moment for the artist and the character who helped lead him out of a self-described time of darkness.“I think the character specifically was at that particular time in my life,” Stevenson recalls. “I was 19 and in a very transitional period, as I think most young adults are at that age.
variety.com
‘Nimona’ Review: Pink Hair, Punk Spirit and a Formula-Thrashing Story Set This Rebel Toon Apart
Peter Debruge Chief Film Critic Once upon a time, animated movies made it easy to tell the heroes apart from the villains. Now, the trend is for princesses to remain happily unmarried (“Frozen”), for kids to know better than their elders (“Encanto”) and for monsters to be revealed as misunderstood allies (“Luca”). For a while, those twists on the Disney fairy-tale formula felt surprising to audiences, aligning nicely with where the cultural conversation was headed. Through repetition, however, such enlightenment has become its own cliché. Enter Nimona, who brings a fresh dose of attitude to such inclusive messaging. She’s a monster, but doesn’t like to be called that. (And who can blame her?) Apparently the only one of her kind in a fictional kingdom where medieval customs and flying cars aren’t mutually exclusive, Nimona is capable of shape-shifting into practically any species — be it a shark, a rhinoceros or a ginormous dragon — though her hot pink hair/fur/skin makes it kind of hard to blend in. When she first appears in the rowdy Netflix animated feature that bears her name, Nimona is sporting a pixie-punk haircut, piercings and an insatiable desire to do maximum damage to the society that’s been demonizing her for roughly a millennium. She is not what anyone would call a good girl, and that makes her a far more interesting character than practically any princess.
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