Jeremy Hindle: Celebs Rumors

The Apple TV+ series Severance earned a total of 14 Emmy nominations including Outstanding Drama Series, Outstanding Writing For a Drama Series (Dan Erickson), Outstanding Production Design (Jeremy Hindle, Nick Francone, Angelica Borrero-Fortier, and Andrew Baseman), Outstanding Music Composition (Theodore Shapiro) and Outstanding Directing For a Drama Series (Ben Stiller).

FEATURE FILM CATEGORIESPeriod Feature Film:  “Babylon” (Production designer: Florencia Martin)Fantasy Feature Film:  “Everything Everywhere All at Once” (Production designer: Jason KisvardayContemporary Feature Film:“Glass Onion: A Knives Out Mystery” (Production designer: Rick Heinrichs)Animated Feature Film: “Guillermo del Toro’s Pinocchio” (Production designers: Guy Davis, Curt Enderle)TELEVISION, COMMERCIAL AND SHORT-FORM CATEGORIESOne-Hour Period Single-Camera Series:“Pachinko”: “Chapter One” (Production designer: Mara LePere-Schloop)One-Hour Fantasy Single-Camera Series:The Lord of the Rings: The Rings of Power: “Adar” (Production designer: Ramsey Avery)One-Hour Contemporary Single-Camera Series:Severance: “Good News About Hell” (Production designer: Jeremy Hindle)Television Movie or Limited Series:“Guillermo del Toro’s Cabinet of Curiosities” (Production designer: Tamara Deverell)Half-Hour Single-Camera Series:“Our Flag Means Death”: “Pilot” (Production designer: Ra Vincent)Multi-Camera Series:    “How I Met Your Father”: “Pilot” (Production designer: Glenda Rovello)Variety, Reality or Competition Series:“Saturday Night Live”: “Jack Harlow Hosts Season 48 Episode 4, Jack Harlow Musical Guest” (Production designers: Keith Raywood, Eugene Lee, Akira Yoshimura, N.

A busy weekend of guild and industry awards ceremonies kicked off with the 2023 ADG Awards, the annual ceremony where the Art Directors Guild hands out their year-end kudos for production design. This year’s non-competitive honorees included Guillermo del Toro, Lilly Kilvert as well as Baz Luhrmann and Catherine Martin.

NOMINEES FOR FEATURE FILMPERIOD FEATURE FILM  All Quiet on the Western FrontProduction Designer: Christian M. Goldbeck          BabylonProduction Designer: Florencia MartinElvisProduction Designers: Catherine Martin, Karen MurphyThe FabelmansProduction Designer: Rick Carter           White NoiseProduction Designer: Jess GonchorFANTASY FEATURE FILM  Avatar: The Way of WaterProduction Designers: Dylan Cole, Ben ProcterThe BatmanProduction Designer: James ChinlundBlack Panther: Wakanda ForeverProduction Designer: Hannah BeachlerEverything Everywhere All at Once Production Designer: Jason KisvardayNopeProduction Designer: Ruth De Jong           CONTEMPORARY FEATURE FILM Bardo, False Chronicle of a Handful of TruthsProduction Designer: Eugenio Caballero           Bullet TrainProduction Designer: David ScheunemannGlass Onion: A Knives Out MysteryProduction Designer: Rick HeinrichsTárProduction Designer: Marco Bittner RosserTop Gun: MaverickProduction Designer: Jeremy Hindle                      ANIMATED FEATURE FILM Guillermo del Toro’s PinocchioProduction Designers: Guy Davis, Curt Enderle           LightyearProduction Designer: Tim EvattMarcel the Shell with Shoes OnProduction Designer: Liz ToonkelPuss In Boots: The Last WishProduction Designer: Nate WraggTurning RedProduction Designer: Rona LiuNOMINEES FOR TELEVISIONONE-HOUR PERIOD SINGLE-CAMERA SERIES The Crown: “Ipatiev House”Production Designer: Martin ChildsThe Gilded Age: “Never the New”Production Designer: Bob ShawThe Marvelous Mrs. Maisel: “Maisel vs. Lennon: The Cut Contest,” “How Do You Get to Carnegie Hall?”Production Designer Bill GroomPachinko: “Chapter One”Production Designer: Mara LePere-SchloopPeaky Blinders: “Black Day”Production Designer: Nicole NorthridgeO

Jazz Tangcay Artisans EditorIt is widely known that Tom Cruise would rather jump off a building or out of an airplane than resort to using CGI. Thus, when it came to filming “Top Gun: Maverick,” having access to the Navy equipment and expertise that informed the original 1986 hit was paramount for production designer Jeremy Hindle to create a believable, engaging action film.From an opening sequence aboard the flight deck of a USS aircraft carrier to an F-14 Tomcat plane, or a fleet of fighters, Hindle pulled out all the stops.The film brings back Cruise as Pete “Maverick” Mitchell — now a weathered test pilot.

Jazz Tangcay Artisans EditorTo underscore the strange spin on work-life balance in the new Apple TV Plus series “Severance,” cinematographer Jessica Lee Gagné worked closely with production designer Jeremy Hindle on a variety of subtle lighting choices to deliver a world of contrast to audiences.In the sci-fi drama, which is currently streaming, workers at tech company Lumon Industries have agreed to be microchipped, dividing their memories between home and office.The corporate world of Lumon is windowless and sparsely furnished, with stark white walls, a deep green carpet and four cubicles for new employee Mark, played by Adam Scott, and co-workers Helly (Britt Lower), Irving (John Turturro) and Dylan (Zach Cherry). Gagné was able to find lighting cues and nuances in the script to offer variation in the overwhelming white office.

Wilson Chapman editorThere have been plenty of television shows set in workplaces, but there’s never been one that looks quite like “Severance.” The Apple TV Plus science fiction series is set in the headquarters of Lumon Industries, a mysterious, cult-like company that surgically alters the memories of select employees to split their consciousness in two: their work selves and their outside selves. These “severed” employees work on their own floor in the company building, and it’s a world in itself: a sprawling labyrinth of stark white halls that stretch into eternity, and massive, void-like office rooms with eye-catching green carpeting.Production designer Jeremy Hindle drew from a wide array of sources when crafting the sets of the series, from the 1967 French film “Playground” to the aesthetics of pharmaceutical companies.