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Payal Kapadia On Her Buzzy Awards Title ‘All We Imagine As Light’, India’s Controversial Oscars Committee & Plans For Her Next Feature
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deadline.com
deadline.comSelect public screenings of All We Imagine As Light, the second feature from rising Indian filmmaker Payal Kapadia, began in early May, a few weeks ahead of the film’s splashy competition debut at the Cannes Film Festival.
I first saw the film during this run in London at the notoriously dingy Soho screening rooms and as the credits rolled in the room, there was a feeling of subdued excitement in the air.
Attendees — some of the industry’s most hardened and cynical critics — could be seen cracking smiles at each other and nodding approvingly.
It was clear that everyone in the room had realized they’d seen something rather special, but no one dared to make pronouncements about its potential.
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