some of it featuring his own humming voice), which cushions the story’s emotional arc.Mosseri, who makes his home in Glendale, California, and lived for eight years in Bushwick, Brooklyn, has made a big impression on the indie-film music scene in just the last couple years with scores for art-house hits like “The Last Black Man in San Francisco” and “Kajillionaire.” He is also a bassist in the rock band The Dig.During a conversation with TheWrap, Mosseri spoke about the tricky line between sweet and saccharine in music, and of the particular Tim Burton film (with a score by Danny Elfman) that first sparked his obsession with movie melodies.“Minari” is a memory piece that never announces itself as such.
Read more on thewrap.com
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