Joshua Alston To be a network police or medical procedural in the past decade is to want for a companion series. From there, the goal is to crawl kudzu-like across the schedule until the primetime grid is bespeckled with colons and occasionally clogged with three-hour crossover events.
Still, ABC’s “The Rookie,” now in its fifth season, has never seemed an obvious choice for the Dick Wolf treatment. Not because the show lacks ambition, though it does possess the happy-go-lucky quirk of a “Characters Welcome”-era USA drama.
But “The Rookie” puts all its weight on the title character and stars the supernaturally charming Nathan Fillion, the kind of performer whose charisma can cut through even the schlockiest material.
Creating a spinoff would require an equally charismatic performer who, like Fillion, can go from gravitas to goofiness at a moment’s notice.
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