In 2021, when the New York Film Festival returned to in-person screenings, organizers noticed a surprising pattern in the ticketing and survey data.
Twentysomething moviegoers, they realized, had become the lifeblood of the festival. Their embrace of the beloved New York institution has since helped it make remarkable strides, surpassing pre-Covid attendance and sales levels.
For more than six decades, the festival has occupied a key berth as the last big fest of the year, with a buzzy lineup of selections from Cannes, Sundance, Venice, Telluride and Toronto.
NYFF’s 62nd edition, which opens tonight with RaMell Ross’ Nickel Boys, is pretty much sold out. Uptake of passes for multiple films, or to gain the right to jump to the front of a wait list, jumped 14% vs.
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