Clayton Davis I first met Tom Quinn, the film distributor Neon’s co-founder, at a party at the Telluride Film Festival in August 2019.
With his film talent in attendance, including “Parasite” director Bong Joon Ho and “Portrait of a Lady on Fire” star Adèle Haenel, a 10-minute side conversation with the CEO has remained prevalent in my mind.
At the time, I conveyed to him my thoughts that Bong’s film from South Korea had a real chance to win best picture at the Oscars later in the year.
I probably wasn’t the first person to make such a declaration, as the film had premiered at Cannes months earlier, and the buzz was palpable, even though it probably wasn’t believed by the masses as of yet.
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