Hungary’s most recent contribution to the implacable flow of war films pouring out of Eastern Europe is a far cry from the Russian tank operas and spectacular disaster films like Battle of Leningrad.
Denes Nagy’s sensitive first featureNatural Light (Termeszetes feny), bowing in Berlin competition, is the opposite of these: a slow starter high on atmosphere but low on action, whose horrific main event takes place discreetly off-screen.
The story salutes Elem Klimov’s 1985 anti-war masterpiece Come and See (reissued in the U.S. last year in a 2K restoration) and its stark, unflinching gaze at the Nazi invasion of Byelorussian villages.
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