Michael Jackson Lynn Nottage Christopher Wheeldon Myles Frost city Motown county Lynn stage Music man Michael Jackson Lynn Nottage Christopher Wheeldon Myles Frost city Motown county Lynn

‘MJ’ Review: Michael Jackson Lives Again In Lynn Nottage’s Thriller Of A Broadway Musical

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Has any Broadway production in recent (or even not so recent) memory arrived with as much emotional baggage – or carried it as lightly – as the visually and sonically ravishing MJ?

The Michael Jackson musical, as unlikely as such a prospect might have seemed a year ago, now appears poised to take Manhattan with the same hurricane force that the real Jackson funneled when he moonwalked into television history on Motown 25.If MJ can’t contain the shock of the new that turned his 1983 television performance into an era-defining moment, it is in no short supply of its own thrills, not least the reminder, after all these years of scandal and accusations, that we once observed, in real time, the blossoming of undeniable talent into unavoidable genius.

That’s a transition, not since equaled, that director-choreographer Christopher Wheeldon, book write Lynn Nottage and an impeccable cast led by the star-is-born Myles Frost, bring to pulse-quickening life on the stage.To address the elephant man in the room: While MJ depicts Jackson’s drug problems, raises (if only to dismiss) charges of racial self-loathing, references the Bubbles-and-Joseph Merrick eccentricities, the third-rail allegations of child molestation go unstated if not entirely ignored.

The approach is, historically speaking, defendable: The events of MJ are set in 1992 as Jackson rehearses his upcoming Dangerous world tour.

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