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We Need to Talk About Corey: ‘Halloween Ends’ Star Rohan Campbell Breaks Down His Pivotal Role in the Slasher Finale

J. Kim Murphy SPOILER ALERT: This story discusses major plot points from “Halloween Ends,” which is now playing in theaters and available to stream on Peacock. Billed as the finale to a landmark horror franchise, “Halloween Ends” was marketed with little more than the promise of a final match-up between remorseless serial killer Michael Myers and his lifelong victim Laurie Strode, played again by Jamie Lee Curtis. But many viewers were shocked to discover much more than a marquee showdown when director David Gordon Green’s horror film released last weekend. There’s also young love, a bunch of laughs and a fresh threat facing the town of Haddonfield — all courtesy of Corey Cunningham, a new character played by Rohan Campbell.
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‘Halloween Ends’ Review: Michael Myers Gets a Disciple, and Jamie Lee Curtis Mopes, as the Series Ends…But Not Really (Rinse, Slash, Repeat)
Owen Gleiberman Chief Film Critic The “Halloween” series, which comes to an end this weekend (and if you believe that, I have a set of very rusty kitchen knives I’d like to sell you), has always been the least pretentious of horror franchises. A towering killer in a rubber mask pops out of the shadows to slash one victim after the next. Horror doesn’t get much more basic than that. But, of course, the “Halloween” series has always had a pretentious side too — the side that began with Donald Pleasance droning on about eee-vil, and the side that has extended, over the latest trilogy, to the top-heavy handwringing of Laurie Strode’s self-actualized guilt and despair. As for Michael Myers, who started out as a small-town killer, he has been turned, more and more explicitly, into A Force Larger Than Himself. And in “Halloween Ends,” that trend now culminates in a movie where Michael, in a certain way, is barely in the movie; he’s the film’s totem, its mascot, its looming emblem of evil. “Halloween Ends” doesn’t finish off the franchise by being the most scary or fun entry in the series. (It should have been both, but it’s neither.) Instead, it’s the most joylessly metaphorical and convoluted entry.
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