Jem Aswad-Senior Marcus Garvey Greg Tate New York USA New York county Tate state Ohio Washington, area District Of Columbia area District Of Columbia voice musician Music Jem Aswad-Senior Marcus Garvey Greg Tate New York USA New York county Tate state Ohio Washington, area District Of Columbia area District Of Columbia

Lincoln Center to Stage Musical Tribute to Greg Tate, ‘a Godfather of Hip-Hop Journalism’

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variety.com

Jem Aswad Senior Music EditorLincoln Center has announced a musical tribute to Greg Tate, a veteran music writer and musician and a ‘godfather of hip-hop journalism’ who died in December at 64.The performance will feature more than 30 members of Burnt Sugar the Arkestra Chamber, the group that Tate founded (head here for more information). “For this homecoming concert, curated and presented with The Tate Family at one of his favorite venues, more than thirty BSAC members will perform in celebration and tribute to one of the most essential voices in the history of 21st Century Avant Groidd music and thought,” the announcement reads.Titled
“More Than Posthuman: Rise of the Burnt Sugar Arkestra Mojosexual Cotillion”
An “Oh the Utter Negrocity of It All,” the tribute is one of three in Tate’s honor being held this summer: one last week at the New York Public Library’s Schomburg Center for Research in Black Culture, and another, also featuring Burnt Sugar, on August 20 at Marcus Garvey Park in Harlem as part of New York’s SummerStage concert series.

While Tate’s writing touched on many aspects of  African-American culture, he is probably best known as a vital early hip-hop writer, particularly in his many years at the Village Voice.

He was also an active musician, a founding member of the Black Rock Coalition and the leader of the Burnt Sugar ensemble, which has featured dozens of musicians and issued more than 20 releases in its two-decade history..Born and raised in Ohio, Tate’s family moved to Washington, D.C.

when he was a teenager and he immersed himself in the city’s music culture of the era; one of his first articles for the Voice was about D.C.’s pivotal, all-black punk quartet the Bad Brains.

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