Carole Horst Triumph and pain were bedfellows last year for the Korean film industry. But Berlin’s European Film Market and the imminent Hong Kong FilMart see Korean companies putting on a brave face.Korean cinemas were in a defensive mode early on in the coronavirus pandemic, as a population familiar with epidemics chose to stay away from crowded places.
Social-distancing regulation caught up and then was wound down again in summer. That allowed for the successful theatrical releases of “Deliver Us From Evil,” which scored $34.4 million; “Peninsula,” which grossed $29.5 million; and the year’s top Hollywood film “Tenet” ($16.4 million).But the window of opportunity closed quickly as autumn and another wave of infections swept in.
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