‘Kennedy’ Review: Anurag Kashyap’s Mumbai Thriller Is Enjoyably Grim, But Weighed Down By Detail – Cannes Film Festival
deadline.comUday Shetty is an angry man, consumed by his desire to kill the man who killed his son. Actually, Shetty has an appetite for killing in general that shocks even his fellow police officers, whose own methods are unnervingly direct.
They all appreciate the efficiency of simply tipping criminals, or those who fail to pay protection money, into the river – it saves time – but only Uday Shetty rhapsodizes about the wonderful moment when you see a victim die and the light in his eyes turns off, as if you had flicked a switch.
Only Uday Shetty goes to shake down an uncooperatively honest politician and ends up massacring his entire family. “No witnesses!” Shetty says abruptly, when the chief accuses him of being a monster.
No witnesses indeed. The curious twist in Anurag Kashyap’s Cannes Film Festival Midnight selection Kennedy is that Uday Shetty is not supposed to exist.
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