Jem Aswad Senior Music Editor Now that’s an entrance. The stage for Kali Uchis’ “Red Moon in Venus” tour is bathed in red-pink light, centered around an elevated platform with stairs leading up either side and archways beneath.
A gradually brightening, supernova-like light fills the video screen behind it. The singer enters the stage, slowly carried by her six dancers, but obscured by the kind of giant frilly feathers you see in old movies, where a luxuriating empress is being gently fanned with them by servants.
They scale the steps, gently set her down in the middle of the platform, then pull away the feathers as the crowd shrieks, revealing Uchis standing regally with her back turned, looking at the audience over her shoulder, clad in an all-red ensembled of a halter, short skirt, stockings, sleeves and a pair of towering boots with needle-thin heels.
As “Telepatia” starts, she busts some slinking moves while the dancers peel off until one of them returns, delivering her microphone.
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