Marta Balaga If you want to attract a younger audience, you have to watch what they watch. Not what you think they are watching, says producer Dean Devlin, best known for “Independence Day” and “Stargate.” But he never designs his shows for one market. “It’s no longer all about gender or age demographic.
If you go to a sci-fi convention, they are not just kids, they are not just older people. It’s everybody!” At Berlinale Series Market Selects, which runs as part of the European Film Market in Berlin, with his latest show, sci-fi series “The Ark,” Devlin continues to pay homage to the kind of stories he loved as a child, from Douglas Trumbull’s “Silent Running” to “The Omega Man.” “I don’t pay any attention to trends.
When we did ‘Stargate,’ every studio in Hollywood said that science fiction was dead. And then we had a hit,” he tells Variety in Berlin. “I wrote this thing as a sort of love letter to the kind of science fiction I grew up watching.
My mom was on the original ‘Star Trek’! I wanted to make a throwback series and then let it develop over time, in unexpected areas.” “The Ark” shows the remaining crew of spacecraft Ark One, on a planetary colonization mission to save humankind, fighting to survive.
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