How did you get involved with “Bullet Train?” It seemingly came together very quickly.Well, Kelly McCormick, my partner and creative producer, was given the script by Sony.
And she read it and saw the genius in it and was really excited about the bold characters and the irreverent tone and also the contained space.
We were going to be doing this during COVID. And we kind of were looking for something to get our film family back up and running and this ticked a lot of boxes.
I got excited about it, but I also was a little nervous because it’s like, how do you create all this interesting action on a train and keep people interested for an hour-and-a-half and compete with these big summer tentpoles?
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