Taylor Alison Swift is an American singer-songwriter. She is known for narrative songs about her personal life, which have received widespread media coverage. At age 14, Swift became the youngest artist signed by the Sony/ATV Music publishing house and, at 15, she signed her first record deal.
Her 2006 eponymous debut album was the longest-charting album of the 2000s in the US. Its third single, "Our Song", made her the youngest person to single-handedly write and perform a number-one song on the Billboard Hot Country Songs chart. Swift's second album, Fearless, was released in 2008.
Buoyed by the pop crossover success of the singles "Love Story" and "You Belong with Me", it became the US' best-selling album of 2009 and was certified diamond in the US. The album won four Grammy Awards, and Swift became the youngest Album of the Year winner.
Halftime feels like a more intriguing prospect than some of the recent concert tie-ins to feature J-Lo’s juniors. The film, directed by Amanda Micheli, focuses primarily on the run-up to Lopez’s performance at the 2020 Super Bowl and covers Lopez narrowly missing out on an Oscar nomination for her lauded performance in Lorene Scafaria’s 2019 film Hustlers.
Lopez’s reasons for releasing a documentary are understandable: her three-decade career has been mired by professional and personal criticism. “For my whole life I’ve been battling to be seen, to be heard, to be taken seriously,” she says in Halftime.
Women in music frequently face difficulty in being taken seriously as artists. Such documentaries give stars the opportunity to control their image and choose how much of themselves to share with audiences.
Of course this trend isn’t restricted to women. Justin Bieber and One Direction’s mid-10s concert documentaries promised viewers a look at their idols as they had never seen them before.
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