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‘Fair Play; Review: Phoebe Dynevor and Alden Ehrenreich-Fronted Erotic Thriller Is A Series of Missed Opportunities [Sundance]

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On second thought, we may have let our collective nostalgia for erotic thrillers get a tad out of hand. Chloe Domont’s “Fair Play” seems, at least at the level of its inception, to be a thought exercise: what would it look like to make something like “Disclosure,” but from the perspective, and with sympathy towards, the Demi Moore character?

That Barry Levinson adaptation of a Michael Crichton thriller has aged like a bottle of milk on a radiator, a baffling stew of corporate intrigue, shitty special effects, and spectacularly terrible sexual politics.

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‘The Tuba Thieves’ Review: Alison O’Daniel’s Experimental Doc About Deaf Musicians & Theft Doesn’t Ever Harmonize [Sundance]
In 2021, filmgoing audiences were treated to “CODA,” an affectionate look at a music-loving high school senior and her complicated bond with a deaf mother, father, and sibling. A year earlier, “Sound of Metal” presented the devastating journey of a rock drummer’s hearing loss and subsequent attempts to cope with his unfortunate predicament.
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‘Willie Nelson & Family’ Review: Docuseries Mistakes The Comprehensive For the Essential In Well-Meaning Slog [Sundance]
Caught somewhere between a movie and a series, “Willie Nelson & Family” doubles down on the history and mythology of its namesake to stretch the latter into what would have been better served as the former.  Honest, introspective, yet rarely revelatory, the anthology often mistakes the comprehensive for the essential, and while it succeeds in explaining Willie Nelson to its audience, that’s about all it does.
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‘A Thousand And One’ Review: Black Motherhood And Harlem Take Centerstage In A.V. Rockwell’s Handsome Debut [Sundance]
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Roger Ebert once wrote, “just because something is not done anymore doesn’t mean it’s not worth doing,” when describing Norman Jewison’s irrepressible romantic comedy “Only You.” This same sentiment can be applied to Angus MacLachlan’s latest family dramedy, “A Little Prayer,” a welcome throwback to adult-oriented movie fare of yore like “On Golden Pond,” “Fried Green Tomatoes,” or “Passion Fish.
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‘Young. Wild. Free.’ Review: A Stylish, Young Black Love Story Loses The Plot [Sundance]
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Netflix Closing Deal For Hot Sundance Title ‘Fair Play’ From MRC & T-Street; Deal In $20 Million Range
UPDATED WITH MORE DETAILS
Rian Johnson Ram Bergman Eddie Marsan Star Thrower Entertainment Alden Ehrenreich Tim White Rich Sommer Phoebe Dynevor Chloe Domont New York Netflix film stars exclusive voice Citi Parke
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‘Fair Play’ Sells to Netflix in Massive $20 Million Deal Out of Sundance
“Fair Play” is led by “Solo” star Alden Ehrenreich and Phoebe Dynevor as Luke and Emily, co-workers at a financial firm who are deeply in love and about to be engaged. But their relationship falls apart when Emily gets a promotion at their firm, leading to a change in power dynamics that poisons their personal lives and eventually leads to violence.
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Actor-turned-filmmaker Alice Englert’s “Bad Behaviour” is a dirty bomb of a movie, and it almost seems intentionally devised to keep the viewer off-balance. What at first appears a rather obvious send-up of self-help culture turns into a take-no-prisoners assault on narrative expectations and norms, all the while painting a pointed portrait of a truly complicated protagonist, the kind of character whose motivations and intentions are so slippery, you can barely make up your mind about her before she gives you a reason to change it again.
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