ennui. “I don’t know if it’s linked but French producer is the one I did [the 2011 film] ‘Midnight in Paris’ with, and we are like a family.”If you noticed, there’s a whole lot of the word ‘Paris’ in Seibel’s work, and there is a reason for that, she is a full-time resident and knows the terrain, shown in her Academy Award-nominated work in the already-mentioned “Midnight in Paris” but also on projects with Oscar winners Sofia Coppola (“Marie Antoinette”) and Damien Chazelle (“The Eddy”) that rely heavily on the use of French backdrops.
But “Emily in Paris,” she says, leans very much into the title city as an oasis.“We wanted to Paris to look classical and chic but at the same time unexpected and modern,” says Seibel. “So people would like.
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