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‘Elvis’ Cinematographer Mandy Walker Poised to Break Through Oscars’ 95-Year-Old Glass Ceiling

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thewrap.com

she won the AACTA (Australian Academy of Cinema and Television Arts) for the film, the first time a woman had ever won for cinematography in film at the “Australian Oscars.” In her speech, Walker emphasized that she hoped her win served to open the door for many more women in the camera department.

During a lively conversation for TheWrap Screening Series of “Elvis,” Walker was joined by producer-costume designer-production designer Catherine Martin and producer Gail Berman to discuss the hard work, craft, grit (and “girl power”) that went into making the dynamic, colorful biopic.

In speaking about the gender disparity in her field, Walker pointed out Luhrmann deserves credit for hiring her to lens a feature film in the first place, 15 years ago. (The two first collaborated when Walker photographed Luhrmann’s Chanel No.

5 commercial starring Nicole Kidman in 2004.) “I have to champion Baz,” she said. “Because when I shot (2008’s) ‘Australia,’ no woman had ever shot a film that big and on that scale.

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