was ruthlessly savaged by critics when it first debuted, unorthodoxly, on Netflix in October well before its official Broadway opening night of Nov.
17.The American media were baffled. The British press were offended. The music, lyrics and book — written by Joe DiPietro and David Bryan of New Jersey — got a drubbing not witnessed in Times Square since Guy Fieri tried to serve New Yorkers “Sangria Glazed Shrimp.”But at Tuesday night’s first preview at the Longacre Theatre on 48th Street, audience members in the balcony were whooping it up every time Jeanna de Waal’s princess donned another one of William Ivey Long’s detailed costumes or said something kinda feminist.Aside from the usual supporters, friends and family who got comp tickets,.
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