Jessica Kiang It is the 1960s and a loved-up, blazed-up hippie couple, sketched in itchy black lines, have snuck into the monochrome nighttime woods to swap bodily fluids and woozy observations on life.
Naked and stoned and mumbling about revolutions, they happen on a tall fence and climb it, entering, unbeknownst to them, the “Cryptozoo” of animators Dash Shaw and Jane Samborski’s combined imagination: a place in which griffins and winged horses keep company with will o’ the wisps, dragons and a startled unicorn.If the sex and politics (complete with doubtless accidental but nonetheless yoinks-worthy reference to “storming the Capitol”) make this gorgeously psychedelic illustrated adventure appear more adult than the filmmakers’ 2016.
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