Christopher Vourlias Before Netflix had grown into a world-conquering streaming giant, “Billie Eilish: The World’s a Little Blurry” director R.J.
Cutler would routinely bump into the company’s co-CEO Ted Sarandos on the film festival circuit. Netflix was still a DVD-by-mail rental service at the time, and Sarandos confided to him that “The War Room” – Cutler’s Oscar-nominated Bill Clinton campaign doc – was among its most popular rentals.Flash forward a few years, and the streaming-fueled boom in documentary filmmaking didn’t seem so far-fetched to Cutler. “It made complete sense to me that when Netflix transformed to a streaming service, and then began producing original content, the audience’s passion for nonfiction would continue to.
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